在日常学习、工作或生活中，大家总少不了接触作文或者范文吧，通过文章可以把我们那些零零散散的思想，聚集在一块。范文书写有哪些要求呢？我们怎样才能写好一篇范文呢？下面是小编帮大家整理的优质范文，仅供参考，大家一起来看看吧。
拙政园的取名来自于晋朝《闲居赋》中的一段话：“筑室种树，逍遥自得……此亦拙者之为政也”。然而在以后五百年里此园屡易其主，闹鬼之事不绝，不断传出侍妾投井自尽、儿童意外溺亡等事件，毫无逍遥自得之乐。尽管历代园主非富即贵，却无人能摆脱魔咒，可谓是谁住谁倒霉。首任园主王献臣去世仅一年，其子一夜豪赌就把整个园子给输掉了，而贵为皇亲国戚的曹雪芹家族购买此园后也家道中落晚景凄凉。有人分析拙字寓意不好，有挥手即出的含意，至于此园多灾多难的真正原因，咱们先来看门口的假山。
这座缀云峰本意是用来做影壁，既可挡门外煞气，也为藏富不张扬。不过此山怪石嶙峋煞气很重，1945年终于天降神雷，将之劈倒，1951年园主张氏后人将此园捐献给了国家，60年来经有关部门大力整修精心管理，这座假山又被重新修复。
大小双龟假山是龙龟形制的演化，龙龟为四大瑞兽之一，有衣锦还乡荣归故里之意，一般放在屋后。设计师文征明不知何故将它摆在了前院。
拙政园的特点是园林布局非常巧妙，看似在园中的一座宝塔，其实是相距2500多米之外的北寺塔，文征明这种别出心裁的借景，几百年来为游客带来意外的惊喜。不过在雾霾的今天，能否借到宝塔，主要看天气。园子里池塘面积近六亩，约占总面积的三分之一。风水学认为水为阴性，水多加上林木多，使得拙政园的阴气重，损伤人气。
拙政园里的建筑屋顶采用歇山顶技艺，在古代只有皇宫寺庙才有资格使用，老百姓如果强行使用在法律上属于“逾制”，是仅次于谋反的大罪。就算园林建造者王献臣身为御史又做过锦衣卫高管，还是被东厂弹劾得辞官告老还乡。
卅六鸳鸯馆是唱昆曲的地方，善解人意的园主担心演唱者怯场，在鸳鸯馆边另建一座“留听阁”，演唱者厅里唱，主人阁里听。为听得更清楚，卅六鸳鸯馆内顶棚采用拱型状，既弯曲美观遮掩顶上梁架，又利用这弧形屋顶来反射声音，增强音响效果，使得余音袅袅，绕梁萦回。
拙政园里公认的灵异地点是大书房里鬼魂出没的六角门，因为受到惊吓的人太多，如今这个六角门被搬到苏州园林博物馆里，胆大的朋友可以前往观赏。
园主在房间里摆放了很多辟邪瑞兽石雕供人抚摸，以旺阳气，几百年来已经被摸得看不出模样。
为了向隐逸江南梅妻鹤子的北宋著名诗人林逋致敬，拙政园内也栽梅养鹤，每年一月腊梅绽放，香气四溢，成为冬游拙政园的最大看点。
可是古谚有云：梅花家里栽一年，霉到卖屋又卖田。这应该也是拙政园不可做家居，只能当画看的一个重要原因吧。
拙政园里故事叠叠层层，要想了解更多有趣的秘密，最好的游览方式是听导游讲解。
蹭导游的朋友看见这棵空心树时切记离远一点，因为这里的导游词是：人活一张脸，树活一张皮，树不要皮，必死无疑……正所谓说者无心听者有意，大家都是有身份的人难免会尴尬。
拙政园邮局是苏州首个园林邮局，这里是铁杆集邮者趋之若鹜的地方，因为邮戳上印的是“拙政园”，而且还是印有拙政园风景的风景戳，十分难得。讲解结束后导游一般会预留二十分钟时间给大家写信盖戳。
邮局里游客很多，建议群发明信片的朋友提前先买好写好，毕竟时间也是旅游的重要成本。
拙政园始建于明代，王献臣是该园第一位主人。他在嘉靖、正德年间官居监察御史，晚年仕途不得意，罢官而归，买地造园，借《闲居赋》“拙者之为政”句意，取名为拙政园。园内主要景点有：兰雪堂、芙蓉榭、秫香馆、放眼亭、远香堂、小沧浪、留亭阁、浮翠阁等。
全园分东、中、西、住宅四部份。住宅是典型的苏州民居，现布置为园林博物馆展厅。东部明快开朗，以平冈远山、松林草坪、竹坞曲水为主。主要景点有：兰雪堂、缀云峰、芙蓉榭、天泉亭、秫香馆等。中部为拙政园精华所在，池水面积占1/3，以水为主，池广树茂，景色自然，临水布置了形体不一、高低错落的建筑，主次分明。主要景点有：远香堂、香洲、荷风四面亭、见山楼、小飞虹、枇杷园等。西部主体建筑为靠近住宅一侧的卅六鸳鸯馆，水池呈曲尺形，其特点为台馆分峙、回廊起伏，水波倒影，别有情趣，装饰华丽精美。主要景点有：卅六鸳鸯馆、倒影楼、与谁同坐轩、水廊等。
东园介绍
兰雪堂：是东部的主要厅堂，堂名取意于李白“独立天地间，清风洒兰雪”的诗句。始建于明崇祯八年(1635)，据园主王心一《归园田居》记载，兰雪堂为五楹草堂，“东西桂树为屏，其后则有山如幅，纵横皆种梅花。梅之外有竹，竹临僧舍，旦暮梵声，时从竹中来”，环境幽僻。堂前两棵白皮松苍劲古拙，墙边修竹苍翠欲滴，湖石玲珑，绿草夹径，东西院墙相连。堂坐北朝南三开间，“兰雪堂”匾额高挂 ，长窗落地，堂正中有屏门相隔，屏门南面为一幅漆雕《拙政园全景图》，屏门北面为《翠竹图》，全部采用苏州传统的漆雕工艺，屏门两边的隔扇裙板上刻有人物山水。
缀云峰：兰雪堂北，山峰高耸在绿树竹荫中，山西北双峰并立，取名“联璧”。缀云峰、联壁峰为归园田居的园中景点。王心一《归园田居记》，兰雪堂前有池，“池南有峰特起，云缀树杪，名之曰缀云峰。池左两峰并峙，如掌如帆，谓之联壁峰。”两峰为明末叠石名家陈似云作品，所用湖石，玲珑细润，以元末赵松雪山水画为范本。缀云峰的形态自下而上逐渐状大，其巅尤伟，如云状，岿然独立，旁无支撑。1943年夏夜，缀云峰突然倾圮。后来，在园林专家汪星伯的指导下，重新堆成了这座高达两丈、玲珑夭矫的奇峰，如今此峰苔藓斑驳，藤蔓纷披，不乏古意。
芙蓉榭：榭是我国古代一种很美的建筑形式，凭借周围风景而构成，形式灵活多变。芙蓉榭屋顶为卷棚歇山顶，四角飞翘，一半建在岸上，一半伸向水面，灵空架于水波上，伫立水边、秀美倩巧。此榭面临广池，池水清清，是夏日赏荷的好地方。漫步芙蓉榭，凭栏四顾，可见满池青翠，粉黛出水，风流丽质似亭亭玉立的仙子在碧波中美目流盼，微风骤起，掀起一片绿浪，送来阵阵荷香，……尽情领略荷花的娇美、幽雅和高洁的风骨。
天泉亭：是一座重檐八角亭，出檐高挑，外部形成回廊，庄重质朴，围柱间有坐槛，可以坐歇欣赏。四周草坪环绕，花木扶疏。亭北平岗小坡，林木葱郁。亭子之所以取“天泉”这个名字，是因为它的下面有一口井，此井终年不涸，水质甘甜，因而被称为“天泉”。据《乾隆长洲县志》记载，元朝大德年间，这一带有一座寺庙叫大宏寺。又过了百来年，馀泽和尚居住在这里，并建了一所“东斋”。斋前有井，称“天泉”。苏州是个水乡泽国，河多、桥多、井也多，但被载入史册的则不多见。王心一建“归园田居”时，保留了这井，也使园中平添几许田园风光。
秫香馆：秫香，指稻谷飘香，以前墙外皆为农田，丰收季节，秋风送来一阵阵稻谷的清香，令人心醉，馆亦因此得名。秫香馆为东部的主体建筑，面水隔山，为单檐歇山结构，室内宽敞明亮，长窗裙板上的黄杨木雕，共有 48幅，缘据行家考证，一部为《西厢记》,另一部为《金玉如意》。其中《西厢记》一出中，有“张生跳墙会鸳鸯”、“拷红”、“长亭送别”等场景，雕镂精细，层次丰富，栩栩如生。夕阳西下，一抹余辉洒落在秫香馆的落地长窗上。加上精致的裙板木雕，把秫香馆装点得古朴雅致，别有情趣。
涵青亭：园林建筑，以亭的变化为多。亭是一种只有屋顶而没有墙的小屋，玲珑轻巧，一般由屋顶、柱身和台基三部分组成。在园林中可点景、观景，又可供人小憩、纳凉、避雨。拙政园不仅亭多，而且形式不一。涵青亭居于一隅，空间范围比较逼仄。但造园家以高大的白墙作底，建了一座组合式的半亭，一主二从，主亭平座挑出于水面之上，犹如水榭，两侧副亭略向后退，朝左右展开，似廊又非廊，主亭发两只戗，副亭发一只戗，整座亭子犹如一只展翅欲飞的凤凰，给本来平直、单调的墙体增添了飞舞的动势。斜倚亭边美人靠小坐，天光云影水间，锦鲤遨游，荷莲轻荡。
中园介绍
倚虹亭：在复廊西面的直廊上，坐东朝西，身后长廊迤逦，面前水木旷远，是进入中花园后一个极好的观赏点。亭右是梧竹幽居，亭前有一座青石小桥，名“倚虹桥”，桥栏、石质都体现了明代风格，似是明代拙政园的遗物。站在亭内，中间开阔的池水，曲桥分割水面。盛夏，满池的荷花红裳翠盖，一片江南风情。绿荫深处，隐约可见一座秀美、玲珑的宝塔，这是运用借景的手法，将园外千余米之遥的北寺塔借入园中。是“借景”中“远借”的佳例。
梧竹幽居：建筑风格独特，构思巧妙别致的梧竹幽居是一座方亭，为中部池东的观赏主景。此亭外围为廊，红柱白墙，飞檐翘角，背靠长廊，面对广池，旁有梧桐遮荫、翠竹生情。亭的绝妙之处还在于四周白墙开了四个圆形洞门，洞环洞，洞套洞，在不同的角度可看到重叠交错的分圈、套圈、连圈的奇特景观。四个圆洞门既通透、采光、雅致，又形成了四幅花窗掩映、小桥流水、湖光山色、梧竹清韵的美丽框景画面，意味隽永。“梧竹幽居”匾额为文徵明体。“爽借清风明借月，动观流水静观山”对联为清末名书家赵之谦撰书，上联连用二个借字，点出了人类与风月、与自然和谐相处的亲密之情;下联则用一动一静，一虚一实相互衬托、对比，相映成趣。
雪香云蔚亭：雪香，指梅花。云蔚，指花木繁盛。此亭适宜早春赏梅，亭旁植梅，暗香浮动。周围竹丛青翠，林木葱郁，绕溪盘行，颇有城市山林的趣味。亭为长方形，在池中西部土山上，外观质朴而轻快，亭内匾额“山花野鸟之间”为当代书画家钱君陶所书。
嘉实亭：园内种植许多枇杷树，枇杷秋天孕蕾，冬天开花，春天结果，夏天成熟，蕴含四季之气，结成累累金丸。嘉实亭，既有对江南名园的赞扬，又寓意收获的喜庆。亭墙正中开有方形窗洞，窗洞外一侧是太湖石，石旁冬有腊梅，夏有芭蕉，组成一幅天然的立体图画。通过枇杷园洞门，嘉实亭与雪香云蔚亭形成一组对景，这是造园的艺术手法之一。
听雨轩
在嘉实亭之东，与周围建筑用曲廊相接。轩前一泓清水，植有荷花;池边有芭蕉、翠竹，轩后也种植一丛芭蕉，前后相映。五代时南唐诗人李中有诗曰：“听雨入秋竹，留僧覆旧棋”;宋代诗人杨万里《秋雨叹》诗曰：“蕉叶半黄荷叶碧，两家秋雨一家声”;现代苏州园艺家周瘦鹃《芭蕉》诗曰：“芭蕉叶上潇潇雨，梦里犹闻碎玉声。”这里芭蕉、翠竹、荷叶都有，无论春夏秋冬，只要是雨夜，由于雨落在不同的植物上，加上听雨人的心态各异，自能听到各具情趣的雨声，境界绝妙，别有韵味。
海棠春坞：倚虹长廊蜿蜒，玲珑馆东侧花墙分隔的独立小院是海棠春坞。造型别致的书卷式砖额，嵌于院之南墙。院内海棠数株，初春时分万花似锦，娇羞如小家碧玉秀姿艳质，有超群绝类之美。文人墨客为之动情讴歌。庭院铺地用青红白三色鹅卵石镶嵌而成海棠花纹。院内茶几装饰图案均为海棠纹样。处处有景点题，庭院虽小，清静幽雅，是读书休憩的理想之所。
远香堂：远香堂为四面厅，是拙政园中部的主体建筑，在原明正德若墅堂的旧址上，为清乾隆时所建，青石屋基是当时的原物。它面水而筑，单檐歇山顶，面阔三间。堂北平台宽敞，池水旷朗清澈。荷池宽阔，红裳翠盖，清香宜人。堂名取周敦颐《爱莲说》中“香远益清”的名句，水中遍植荷花，因荷得名。夏日池中荷叶田田，荷风扑面，清香远送，是赏荷的佳处。园主借花自喻，表达了园主高尚的情操。堂内装饰透明玲珑的玻璃落地长窗，规格整齐，由于长窗透空，四周各具情趣的景物，山光水影，尽收眼底，犹如观赏山水长卷。室内陈设典雅精致。
小飞虹：苏州是水乡，拙政园是水园，有水必有桥。拙政园里有石板桥、石拱桥等，小飞虹的型制很特别。是苏州园林中唯一的廊桥。取南北朝宋代鲍昭《白云》诗“飞虹眺秦河，泛雾弄轻弦而命名”。朱红色桥栏倒映水中，水波粼粼，宛若飞虹，故以为名。虹，是雨过天晴后横跨大地的一架绚丽的彩桥，古人以虹喻桥，用意绝妙。它不仅是连接水面和陆地的通道，而且构成了以桥为中心的独特景观。小飞虹桥体为三跨石梁，微微拱起，呈八字型。桥面两侧设有万字护栏，三间八柱，覆盖廊屋，檐枋下饰以倒挂楣子，桥两端与曲廊相连，是一座精美的廊桥。
小沧浪：小沧浪取北宋?苏舜钦“沧浪亭”名为阁名，寓意遁世归隐。小阁面阔三间，南窗北槛，两面临水，外形十分别致，似房非房，似船非船，似桥非桥，完全是架在水面上的一座水阁。水阁横跨池上，将水面再度划分，把到此结束的中园水尾营造得貌似绵延不断，艺术手法高超。亭廊围绕，构成开敞的幽静水院。从前苏州古城文人雅士、官宦人家众多，无论是华屋巨宅还是一般住房，都特别注意小空间的修饰，这小空间就是庭院，而水庭院则是这绝无仅有的小沧浪，一方面，它体现了江南水乡风情，另一方面，因水造景，院落内外互相借景而构建了一个特别清凉的环境。
松风水阁：松、竹、梅在中国传统文化中被称作“岁寒三友”，在文人写意园中，尤爱栽种这类用以“比德”的植物，来表达主人的思想感情。松树经寒不凋，四季常青，古人将之喻作有高尚的道德情操者。松之苍劲古拙的姿态常被画入图中，是中国园林的主要树种之一。松风水阁又名“听松风处”，是看松听涛之处。这座水阁攒尖方顶，空间封闭，由廊间小门出入，其余三面采用半墙加半窗的结构。屋顶出檐特大，飞檐起翘尤高，表现出翩翩欲飞、飘逸轻灵的风采，整座建筑不是采用规整的正南正北方向，而是斜过45度角,凌空架于水上,可避阳通风,最适宜于夏天观景。亭侧植有黑松数株，有风拂过，松枝遥动，松涛作响，色声皆备，是别有风味的一处景观。
香洲：香洲为“舫”式结构，有两层舱楼，通体高雅而洒脱，其身姿倒映水中，更显得纤丽而雅洁。香洲寄托了文人的理想与情操。香洲，用的是屈原笔下“芳洲”的典故，《楚辞》中有“采芳洲兮杜若，将以遗兮下女”的句子。古时常以香草来比喻清高之士，此处以荷花景观来喻意香草，也很得体。在中国古典园林众多的石舫中，拙政园香洲大概称得上是造型最为美观的一个。船头是台，前舱是亭，中舱为榭，船尾是阁，阁上起楼，线条柔和起伏，比例大小得当，使人想起古时苏州、杭州、扬州一带山温水软、画舫如云的景象。香洲位于水边，正当东、西水流和南北向河道的交汇处，三面环水，一面依岸，由三块石条所组成的跳板登“船”，站在船头，波起涟漪，四周开敞明亮，满园秀色，令人心爽。烈日酷暑，此地却荷风阵阵，举目清凉。香洲船头上悬有文徵明写的题额，后人还专门为之题跋。香洲这条旱船，建筑手法典雅精巧，引人入胜，使人感到一种对高洁人格的追寻。
荷风四面亭：亭名因荷而得，座落在园中部池中小岛，四面皆水，湖内莲花亭亭净植，湖岸柳枝丝丝婆娑，亭单檐六角，四面通透，亭中有抱柱联：“四面荷花三面柳，半潭秋水一房山。”用在此处十分贴切。尤其是联中的“壁”字用得好，亭子是最为开敞的建筑物，柱间无墙，所以视线不受遮挡，倍感空透明亮，虽然无壁，然而三面河岸垂柳茂盛无间，四周芙蓉偎依簇拥，不是密密匝匝地围成了一道绿色的香柔之墙吗?动人的夸张和丰富的想象，使这座岛上的小亭愈发显得多姿多彩，亭亭可人。风吹墙动，绿浪翻滚，清香四溢，色、香、形俱佳。春柳轻，夏荷艳，秋水明，冬山静，荷风四面亭不仅最宜夏暑，而且四季皆宜。若从高处俯瞰荷风四面亭，但见亭出水面，飞檐出挑，红柱挺拔，基座玉白，分明是满塘荷花怀抱着的一颗光灿灿的明珠。
见山楼：见山楼三面环水，两侧傍山，从西部可通过平坦的廊桥进入底层，而上楼则要经过爬山廊或假山石级。它是一座江南风格的民居式楼房，重檐卷棚，歇山顶，坡度平缓，粉墙黛瓦，色彩淡雅，楼上的明瓦窗，保持了古朴之风。底层被称作“藕香榭”，沿水的外廊设吴王靠，小憩时凭靠可近观游鱼，中赏荷花，远则园内诸景如画一般地在眼前缓缓展开。上层为见山楼，陶渊明有名句曰：“采菊东篱下，悠然见南山。”此楼高敞，可将中园美景尽收眼底。春季满园新翠，姹紫嫣红;夏日薰风徐来，荷香阵阵;秋天池畔芦荻迎风，寒意萧瑟;冬时满屋暖阳，雪景宜人。原先，苏州城中没有高楼大厦，登此楼望远，可尽览郊外山色。相传此楼清咸丰年间太平天国忠王李秀成的办公之所。见山楼高而不危，耸而平稳，与周围的景物构成均衡的图画。
玉兰堂：玉兰堂，是一处独立闭的幽静庭院，它处在拙政园主人居住区与花园的交界部位，是园主会见宾客与处理日常事务的主要场所，玉兰堂高大宽敞，院落小巧精致。南墙高耸，好似画纸，墙上藤草作画，墙下筑有花坛，植天竺和竹丛，配湖石数峰，玉兰和桂花，色、香宜人。玉兰堂曾名“笔花堂”，与文徵明故居中的“笔花堂”同名。这显示了当初园主王献臣与文徵明之间不同一般的亲密关系;再则，“梦笔生花”也是古时文人对创作灵感的一种追寻。在此读书作画，实是人生的莫大享受。
西园介绍
宜两亭：在别有洞天靠左，叠有假山一座。沿假山上石径，有一座六角形的亭子位于山顶，这就是“宜两亭”。它踞于中园和西园分界的云墙边，亭基较高，六面置窗，窗格为梅花图案。登上宜两亭，可以俯瞰中部的山光水色。从中花园观景，从层层递进的景色展开后，宜两亭突出于廊脊之上，使整个中花园的景色变得绵延不尽，形成非常深远的景观空间，这是造园技巧上“邻借”的典型范例。“宜两”出自一个有趣的故事。唐代白居易曾与元宗简结邻而居，院落中有高大的柳树探出围墙，可为两家共赏。白居易写诗赞美道：“明月好同三径夜，绿杨宜作两家春”，以此来比喻邻里间的和睦相处。当年，拙政园的中园和西园分属两家所有，西园主人不建高楼，而改为堆山筑亭。西家可以在亭中观赏到他十分羡慕的中园景色，而中园主人在中花园亦可眺望亭阁高耸的一番情趣，借亭入景，丰富景观，岂不妙哉!一亭宜两家，添景更添情，就这样，一句好诗，一段佳话，造就了一个妙亭，一道风景。
波形廊：在西花园与中花园交界处的一道水廊，是别处少见的佳构。从平面上看，水廊呈“l”形环池布局，分成两 段，临水而筑，南段从别有洞天入口，到卅六鸳鸯馆止;北段止于倒影楼，悬空于水上。这里原来是一堵 分隔中、西园的水墙，作为两园之间的分界横在那里，如何规划成景颇费踌躇。聪明的工匠借墙为廊，凌水而建，以一种绝处求生的高妙造园手法来打破这墙僵直、沉闷的局面，将廊的下部架空，犹如栈道一般，依水势作成高低起伏、弯转曲折状，使 景观空间富于弹性，具有韵律美和节奏美。由南往北，经过一系列形态变化之后，突然出现大幅度转折，把它拉离园墙一段距离，使之突出于水池之上，低贴水面，左右凌空，廊顶变化如亭盖，临水处立小石栏柱两根，犹如钓台一般，在波形廊靠近倒影楼的近终点处，在其下部设一孔水洞，让廊跨越而过，使园的中、西部水系相通，廊体也拔高至最高点。若远看水廊，便似长虹卧波，气势不凡。
卅六鸳鸯馆：是西花园的主体建筑，精美华丽，南部叫“十八曼陀罗花馆”，北部叫“卅六鸳鸯馆”。一座建筑同时有两个名字，这是古建筑中的一种鸳鸯厅形式，以屏风、罩、纱槅将一座大厅分为两部，梁架一面用扁料, 一面用圆料，似两进厅堂合并而成，其作用是南半部宜于冬、春，北半部宜于夏、秋。鸳鸯厅面阔三间，外观为硬山顶，平面呈方形，四隅均建有四角攒尖的精巧耳房，又叫暖阁。北半部挑出于水面，由8根石柱撑住馆体架于池上。馆之中央的银杏木雕玻璃屏将大厅一隔为二。北厅(后厅)临清池，夏、秋时推窗可见荷池中芙蕖浮动，鸳鸯戏水，东汉时大将军霍光“(在)园中凿大池，植五色睡莲，养鸳鸯卅六对，望之灿若披锦”，馆名取其意，匾额为清同治年间苏州状元洪钧题写。苏州自古出人才，明清时期状元人数居全国前列，洪钧就是其中之一。他在民间传说中成了一个带有传奇色彩的人物，大多是因他娶了一代名妓赛金花为妾。赛金花的故事后来被人写成小说，洪钧也就更加出名了。南厅是十八曼陀罗花馆，宜于冬、春居处，厅南向阳，小院围墙既挡风又聚暧，并使室内有适量的阳光照射。曼陀罗花即山茶花。清代末年，张履谦建此馆时曾栽种18株名贵的山茶花，冬季百花凋零，山茶却如傲雪的腊梅嫣红斗雪，“树头万朵齐吞火，残雪烧红半个天。”表现出蓬勃的生命力，展示着独特的美，此馆匾额是晚清苏州的另一个状元陆润庠所题。陆状元和洪状元在苏州话里洪、陆谐音“红、绿”这一红(洪)一绿(陆)同邑两状元为同一建筑写匾额，为厅堂增色不少。卅六鸳鸯馆内顶棚采用连续四卷的拱型状，既弯曲美观，遮掩顶上梁架，又利用这弧形屋顶来反射声音，增强音响效果，使得余音袅袅，绕梁萦回。主人在此宴友、会客、休憩，环境优雅，在厅中铺就一方红氍毹，吹笛弄箫，吟歌唱曲。陈设古色古香，书画挂屏、家具摆设配置精当。
倒影楼：倒影楼以观赏水中倒影为主的景点。楼分两层，楼下是为“拜文揖沈之斋”，文是指文徵明，沈是指沈周(石田)，这两位均是苏州著名的画家，沈周还是文徵明的老师。拙政园之蜚声江南，是与大画家、大诗人文徵明分不开的。当年，西园园主张履谦为表达自己的景仰之情，于光绪二十年(1894)特建此楼以资纪念，他将自己收藏的文徵明、沈石田画像和《王氏拙政园记》拓片以及俞粟庐书《补园记》石刻嵌在楼下左右两壁。中间裙板上刻有郑板桥的书画真迹。面水的一侧于柱间安装通透玲珑的长窗，窗内有木质低栏。倚栏而立，可凭水观景。左有波形长廊相伴，右有“与谁同坐轩”，尤其是这些景物的倒影如画，尽入眼中。水底明月，池中云彩，波影浮动，景色绝佳。楼上原是园主儿媳王氏的书房。此楼四周遍植桂花无数，入秋赏罢残荷赏金桂，桂香如酒令人醉。无论是读书习字，还是吟诗作画、观景自娱，皆环境可人，幽香可爱。
与谁同坐轩：小亭非常别致，修成折扇状。苏东坡有词“与谁同坐?明月、清风、我”，故名“与谁同坐轩”。轩依水而建，平面形状为扇形，屋面、轩门、窗洞、石桌、石凳及轩顶、灯罩、墙上匾额、鹅颈椅、半栏均成扇面状，故又称作“扇亭”。轩内扇形窗洞两旁悬挂着杜甫的诗句联“江山如有待，花柳自无私。”扇亭地处山麓水边，地理位置甚佳，树高而雄，石幢静立，人在轩中，无论是倚门而望，凭栏远眺，还是依窗近视，小坐歇息，均可感到前后左右美景不断。在扇亭后的土山上还有一小亭，称“笠亭”。“笠”即箬帽，亭作浑圆形，顶部坡度较平缓，恰如一顶箬帽，掩映于枝繁叶茂的草树中，摒弃了一切装饰，朴素无华。山小亭微，搭配匀称，衬以亭前山水，俨然一戴笠渔翁垂钓，悠然自得。前人曾写词赞道：“花间萝蹬一痕青，烟棱云罅危亭。笠檐蓑袂证前盟，恰对渔汀。 红隐霞边山寺，绿皱画里江城。槐衙柳桁绕珑玲，坐听啼莺。”与谁同坐轩和笠亭是两种不同的园林建筑艺术造型，也是在古典园林中较少见的象形建筑。亭、轩结合，浑然一体。笠亭山上有一座八角形双层建筑，高大气派，煞是引人注目。山上林木茂密，绿草如茵，建筑好像浮动于一片翠绿浓荫之上，因而叫做“浮翠阁”。造型高耸凌空，立面槅扇饰有精美图画。登阁眺望四周，但见山清水绿，天高云淡，满园青翠，一派生机盎然，令人心旷神怡，乐不思返。扇亭、笠亭、浮翠阁，地理位置依次是临水、山中、山巅，它们形态各异，大小不一，由低至高，循序渐进，犹如音阶中的哆、唻、咪，一气呵成，使人陶醉在这动听的旋律里。
留厅阁：为单层阁，体型轻巧，四周开窗，阁前置平台，阁内最值得一看的是清代银杏木立体雕刻松、竹、梅、鹊飞罩，浮雕、镂雕、圆雕相结合，刀法娴熟，技艺高超，构思巧妙，将“岁寒三友”和“喜鹊登梅”两种图案柔和在一起，接缝处不留痕迹，浑然天成，是园林飞罩不可多得的精品。从整体外形看，留听阁是一个抽象化的船厅，厅前平台如船头。左侧池塘中种满了荷花，荷花生长期间其叶、蕾、花、果皆有姿有态，观赏期特长，从春末夏初池面冒出点点绿钱到盛夏时节的满池华盖，直至秋意浓浓的枯叶残花，每一个阶段都有其独到的美。俗话说，花无百日红，再美的鲜花最终也是“零落成泥碾作尘”，残花败叶的凄凉晚景让人不忍卒睹，唯独秋塘枯荷却别有一种残缺美的意境，李商隐有“留得残荷听雨声”的名句，留听阁就是取此诗意而名。花谢了，人已老，景犹在，情难忘，触人心境，发人幽思。《红楼梦》第四十四回里 ，贾宝玉与林黛玉乘着姑苏驾娘撑动的木舫在水中游赏，黛玉看到满池荷花时说，我最不喜欢李义山的诗，只喜他一句“留得残荷听雨声……”林黛玉是个极有文化修养的姑娘，多愁善感，聪明绝顶，但又孤傲清高，不愿随波逐流，所以才会对李商隐这句表达冷寂清幽之美的诗句产生共鸣。这虽然是文学作品里的描述，但她所欣赏的如此富有诗意的境界也出现在拙政园的西花园里。大自然的天籁之音，在中国园林中奏出了或恢宏或欢快或喜悦的美妙乐章。
塔影亭：此亭从顶部到底座及四周窗格均为正八角图案，是园中最精致华丽的建筑物之一。在留听阁船台，回头望塔影亭，顿觉美妙至致。狭长的纵向水系拉开了层次，隔了一定的距离，水湾的纵深感就增强了，那攒尖的八角亭印入水中，宛如宝塔，端庄怡然。真亭假塔，虚实相连，不失为西部花园中一个别致的景观。在拙政园中，有两处景观与宝塔有关。一处是在倚虹亭看远借的园外北寺塔，还有一处便是这借水景而成的塔影亭。在中花园中看到的宝塔是实体，而在西花园中看到的宝塔是虚体。不论是真塔远望，还是假塔近观，都让人产生丰富的联想，留下深刻的印象。塔影亭所处的位置并不显眼，已到了花园的尽头。聪明的主人在水源将尽处筑了一个小亭，若将整个西园比作一首旋律优美的乐曲，那么塔影亭 就是最后一节音符。嘎然而止的乐曲让人觉得突兀，而此处有了塔影亭则组成了完整的乐章。更妙的是，不光有亭，还有影，就如曲终遗音余韵不绝，让人回味。
在拙政园里面走走，感觉真不错，景色很美，不管在哪个角度看都是一幅图画。
humble administrator's garden was built in the ming dynasty, wang xianchen master the zoo first. him in jiajing, zhengde years in the supervision of the empire, in official career is not satisfied, come back from the office to buy land landscape, borrow the recluse "" compensated" place of the sentence, humble administrator's garden. park main attractions are: lanxuetang, pavilions, shu sweet lotus pavilion, looking pavilion, far from the hall, small, pavilions, green blue waves pavilion, etc.
dominated points east, middle, west, home four parts. the residence is a typical residence in suzhou, now decorate for garden museum exhibition hall. east and lively open and bright, with flat, distant mountains, pine forest lawn, bamboo dock water is given priority to. the main attractions are: lanxuetang, compose yunfeng, pavilions, day spring pavilion, lotus shu incense pavilion, etc. humble administrator's garden in essence, the water area accounts for a third, give priority to with water, wide pool tree alum, natural view, arrangement of the water in the form is differ, strewn at random discretion, primary and secondary and clear. the main attractions are: far hong tong, xiangzhou, wind pavilion, small mountains tower, the flying all around, loquat garden, etc. western main body building for near the home side longmont yuanyang pavilion, pool assumes the rue droit-mur, its main characteristics for the chinese taiwan pavilion points ups and downs, corridor, the reflection waves, interest, beautifully decorated. main attractions: thirty six yuanyang pavilion, reflection, and who sat with hin, water corridor, etc.
east garden is introduced
lanxuetang: is the main hall, the east tangming take meaning on li bai "independent between heaven and earth, the wind is aspersed lanxue" verse. was built in ming chongzhen eight years (1635), according to the lord wang xinyi "belongs to the garden and field in" records, lanxuetang for five jacaranda thatched cottage, "something means to screen, then there are mountain, such as painting, and all kinds of clubs. mae have bamboo, bamboo sengshe, danmu brahman, when" from the bamboo, secluded environment. hall before two tree pinus bungeana and vigorous like, verdant bamboo wall, and shi linglong lake, green grass clamp diameter, wall is linked together. hall sits three studio, "lanxuetang" plaque hanging high, long window to the ground, the center of the hall divided by screen door, screen door to the south for a pair of carved lacquerware, panoramic view of the humble administrator's garden, "north for the bamboo figure, screen door are all made of suzhou traditional carved lacquerware craft, screen door on both sides of the partition board and skirt board inscribed with characters.
compose yunfeng: lanxuetang north, peaks tower in the shadow of the green bamboo, mountain northwest bimodal coexistence, named "wall". compose yunfeng, couplet peak to belong to the garden and field wall in garden scenic spot. wang xinyi "belongs to the garden and field", before lanxuetang pool, "fanaw have peak, cloud compose miao trees, yue compose yunfeng. the name given to the pool they left two peaks, like the palm like sails, peak of united wall." fold two peaks of the late ming dynasty stone masters chen works like a cloud, the lake stone, exquisite, renew the zhao songxue at the end of the yuan dynasty landscape painting as template. compose yunfeng form gradually from bottom to top shape is large, its top youwei, such as cloud, bully independence, no support. summer night in 1943, compose yunfeng suddenly pi. later, in the garden, under the guidance of experts wang xingbo to pile into the up to two zhangs, and exquisite yaojiao qifeng, peeling, and now the peak moss vines mixed and disorganized, there is no lack of ancient meaning.
the pavilions of the lotus: pavilions is a very beautiful ancient chinese architectural form, with the surrounding scenery, constitute, and flexible in form. hibiscus pavilions for volume shed roof rested on the top of the hill, the four corners to fly up, half built on the bank, half into the water, the spirit empty frame on the water wave, stands near the water, beautiful qian qiao. this wonderful facing wide pool, pool, is a good place to admire the lotus in summer. walk lotus pavilions, pinglan, finding, visible green pool, make-up water, romantic beauty like a graceful fairy on mesh face-physick out of china and the united states, the breeze suddenly, a piece of green waves, sent the fragrant lotus,... enjoy a taste of the lotus flower is beautiful, elegant and noble character.
day spring pavilion, is a double-hipped roof was fixed, the eaves tall and external form the cloister, solemn plain, has the sit sill wai column, can take a rest. pond surrounded by lawns, flowers and trees. small pavilion beiping hills, slope, lush vegetation. pavilion is "day spring" this name, because it has a well under, cijing perpetual desiccation, water quality sweet, thus known as "spring". according to "the qianlong cheung chau county annals" records, the yuan dynasty, a teacher and a temple with a temple called big macro. for hundreds of years, ze monk living there, and set up a "east". spring has well before lent, referred to as "day". suzhou is a gesturing across, river, bridge, and well, but the history is rare. wang xinyi built "belongs to the garden and field house", has kept it, also make the garden smooth add how much pastoral scenery.
shu incense pavilion: shu incense, paddy fragrance, wall before all is farmland, the harvest season, autumn wind sent waves of rice fragrance, is glorious, the pavilion also hence the name. shu incense pavilion for the main architecture of the east, hills of flour and water, as the structure of single eaves jehiel mountain, indoor capacious and bright, long window on the apron boxwood carving, a total of 48, according to expert textual research, one for "the west chamber", another one is "good luck". there, in "the west chamber" a "will yuanyang ying-ying went jumping the wall", "copy red" and "pavilion farewell" scenarios, such as fine chase, rich layers, lifelike. the setting sun, with a long afterglow on in shu incense pavilion floor window. with delicate apron woodcarving, decorated shu incense pavilion of primitive simplicity is elegant, full of interest.
han qing ting: garden architecture, with the change of the booth. pavilion is a kind of roof without wall of the hut, and exquisite lighter, generally by the roof, scape and stylobate of three parts. point of view, the view in the garden, and for a nap, enjoy the cool, rain shelter. humble administrator's garden pavilion more not only, and have different forms. han qing pavilion at the corner, the space is relatively narrow range. but gardening bottom with tall, white wall, built a modular half pavilion, a second from lord, pick out the main pavilion flat seat above the water, is like a waterside pavilion, both sides vice pavilion slightly backward, toward the left and right sides, like a gallery, the gallery, the main pavilion hair two peak, vice pavilion a peak, the entire pavilion is like a phoenix, wings to fly to flat, drab wall added flying electromotive force. leaning tingbian beauty by small sit, the skylight cloud water, brocade carp, lotus lotus qingdang.
in the garden is introduced
lean on rainbow pavilion: in the straight porch corridor to the west, sitting east toward the west, behind the gallery &, shuimu kuangyuan before, is an excellent after enter in the garden. bamboo pavilion is the right of living, passing a have a stone bridges, the name "rainbow bridge", bridge, stone reflects the style of the ming dynasty, is a relic of humble administrator's garden in ming dynasty. standing in the middle of the pavilion, open water, winding division of the water. midsummer, pond full of lotus red type green cover, a piece of jiangnan amorous feelings. peep of deep shade, a beautiful, exquisite pagoda, this is the technique of using borrow scene, outside the garden thousands of metres north temple tower borrowing in the garden. is "far" borrow scene "borrow" of the case.
the bamboo of living: the unique architectural style, clever chic the bamboo is a square, as the central chidong accent. the gallery pavilion peripheral red white walls, cornices, newborn back against the corridor, in the face of wide pool, a phoenix tree shade, bamboo, the living feeling. pavilion wonderful place is surrounded by white walls opened four circular burrows, hole ring hole, hole hole, can be seen in different angle of overlapping circle ring, ring, even the strange landscape. four round david already fully, daylighting, elegant, and formed four beautiful window, framed by a small bridge flowing water, lakes and mountains, the bamboo of classical beautiful scene images, it interesting. "the bamboo of living" plaques for wen zhiming body. concept of "cool, cool breeze ming borrow move water watch mountain" couplets for the qing dynasty famous calligrapher zhao zhiqian written books, a laparoscope, usually connected to a part two borrowed words, points out the human and romantic, intimate love in harmony with nature; bottom allied with a quiet move, one virtual real mutual foil, contrast, set each other off becomes an interest.
snow sweet yunweiting: incense, refers to the plum blossom. yunwei, flowers and trees flourish. this pavilion is suitable for early spring to admire the plum, pavilion next to the plant may, fragrant. bamboo grove around the green, lush trees, around the stream plate line, to have the taste of city forest. pavilion is rectangle, on the pool midwest heaped-up mountains, plain appearance and light, booth in plaques "between" mountain wild birds for contemporary artists qian juntao book.
autumn harvest pavilion: garden grow a lot of loquat, loquat pregnant bud, bloom in winter, the spring as a result, the mature in summer, containing the gas of the four seasons, formed a pill with gold. harvest pavilion, both for the praise of the jiangnan gardens, and harvest festival. outside the pavilion wall in the middle of a square humanly scaled, humanly scaled side is accompany, stone beside the winter wintersweet, summer has a banana, and form a natural three-dimensional picture. through the loquat garden burrows, harvest pavilion and fragrant snow yunweiting formed a set of places and this is one of the art of gardening technique.
listen to woo hin
in the east of harvest pavilion, with the surrounding building corridors connect. hin before a congested water, plant have lotus; after the pool has a banana, bamboo, porch also grow a clump of banana, set each other off. five dynasties south down the poet li zhongyou poems said: "rain fall bamboo, a monk by old chess". song dynasty poet compose poems said: "autumn rain sigh" rain "in half yellow lotus leaf green, two a voice". modern suzhou horticulturist zhou shoujuan "banana" poems said: "the banana was raining on the rain, in the dream of broken jade ring." here has a banana, bamboo, lotus leaf, whether spring, summer, autumn and winter, as long as it is a rainy night, because of the rain falls on different plants, coupled with the rain of different state of mind, since can hear the rain of each has its appeal, wonderful, do not have lasting appeal.
haitang spring basin: lean on rainbow winding corridor, exquisite pavilion east tracery wall separating independent yard is haitang spring basin. the scroll type brick of chic modelling, embedded in the courtyard south of the wall. nosocomial haitang several strains of spring flower is abundant, blushing like small jasper show appearance brilliant quality, superb unique kind of beauty. the estrogen acura of men of letters. the courtyard floor with green red and white three color cobble mosaic and chenghaitang pattern. in the tea table decoration patterns are the chinese flowering crabapple pattern. everywhere there are attractions, the courtyard is small, quiet and tastefully laid out, is an ideal place to study have a rest.
far hong tong: far hong tong for all hall, the humble administrator's garden is the central part of the subject construction, in the original mingzhengde if the site of a luxury hall, built by qing emperor qianlong, bluestone foundation is the time of the original object. and its surface water building, single eaves jehiel the top of the hill, width between the three. the spacious hall of peiping, kuang lang clear the pond. hechi broad, red type green cover, pleasant fragrance. tangming take zhou dunyi "wang" of "xiangyuan yi qing" in the sentence, the water through the plant lotus, due to the lotus name. summer in the pool of lotus leaf tiantian, dutch wind lifted, fragrant far, is the good place of appreciation. park owner borrow from yu, expressed the landowner's sentiments. inside the hall decoration transparent and exquisite glass french window, specifications, due to the long window nearby, around the scene of each has its appeal, mountain light watermark, panoramic view, like viewing landscape scroll. elegant and refined indoor display.
is water, small flying: suzhou humble administrator's garden is water park, water and bridge. in the humble administrator's garden masonry bridge, stone bridge, etc., small flying style is very special. is the only covered bridges in suzhou garden. in the song dynasty of the northern and southern dynasties baozhao "baiyun" poem "the flying jams qin he, generic fog light string named". scarlet bridge are reflected in the water, water waves, like the flying, so the thought of. rainbow, it is after a storm comes a calm after a brilliant we across the land, the ancients to rainbow yuqiao, wonderful. it is not only a connection channel of water and land, and constitute a unique landscape with the center of the bridge. little fly to hongqiao for three cross shi liang body, slightly arched, show eight word. bridge deck railing on both sides with a swastika, three, eight columns, covered corridor room, decorated with upside down under eaves fang lintel, connected with song gallery on both ends of the bridge, is a beautiful covered bridges.
small: blue waves surging wave in northern song dynasty? su shunqin "surging waves pavilion called" cabinet, moral claustral retirement. width between the three small pavilion, south north window sill, two face water, appearance is very chic, like room the room, like a ship feichuan, like bridge, the bridge, is entirely a shuige planes on the surface of the water. shuige across the pool, to divide the water again, builds the garden water in the end of the end, seemingly endless artistic skill. ting corridor around, open water quiet courtyard. formerly suzhou's old city numerous scholars, senators, both values house and general housing, all pay special attention to small space decorate, this little space is the courtyard, and the water garden is the unique small blue waves, on the one hand, it embodies the jiangnan amorous feelings, on the other hand, because the water landscape, yard inside and outside borrow scene with each other and build a special cool and refreshing environment.
wind shuige: pine, bamboo and plum in chinese traditional culture is referred to as "poetic age", the literati freehand brushwork in traditional chinese garden, especially love planted this kind of plant to "than", to express thoughts and feelings of the master. the cold depth, stays, the ancients will have noble moral sentiment, "the. loose the vigorous like that attitude is drawn into the figure, often is one of the main species of chinese garden. wind shuige also known as "listen to the wind place", is to look at the pine listen to the tao. the shuige pavilion, your space is closed, the small discrepancy between gallery, the remaining three sides on the structure wall plus half the window. roof eaves super-large, cornices case become warped, especially high, show the elegant demeanour that fluttered about, elegant light spirit, the entire building is not using structured south north direction, but the oblique angle of 45 degrees, volley in the water, can avoid yang ventilation, viewing the most suitable for the summer. pavilion side of the plant have large number of strains, the wind blows over, pine away, song tao, color is ready, a landscape is a distinctive flavour.
xiangzhou: xiangzhou is "matter" type structure, there are two layers of the tank floor, perfect the elegant and free and easy, its motions are reflected in the water, more appear center and graceful. xiangzhou ideals and sentiments of the literati. xiangzhou, with qu yuan's "fangzhou" allusions, chu "in" with qin xi biddy mining fangzhou xi rico, "sentences. ancient often vanilla metaphor as lofty, vanilla with lotus landscape metaphor here, is also very appropriate. in numerous beautiful in chinese classical garden, the humble administrator's garden xiangzhou is probably the most beautiful one shape. is a bow, front is a pavilion, in the cabin for the pavilions, stern is cabinet, cabinet on the floor, line downy, proportion size is proper, reminiscent of the ancient suzhou, hangzhou, mountain water, yangzhou region soft, original scene like a cloud. xiangzhou located in the water, as the stream of east, west and north and south river interchange, bounded by water on three sides, one side in accordance with the shore, of article three stone springboard "ship", standing in the bow, wave ripples, surrounded by open and bright, garden xiuse, makes the heart. the hot sun hot summer here but lotus gusty wind, lifted up his eyes, and cool and refreshing. there is written wen zhiming tie xiangzhou bow, also specifically for the inscription of later generations. xiangzhou this land boat, construction technique and elegant delicate, fascinating, make the person feel a kind of pursuit of noble personality.
lotus pavilion: all around wind pavilion name due to load, is located in the central park pool island, budai, water in the lake lotus graceful net plant, the shore willow branches filar silk dance, pavilion single eaves hexagon, connect fully, all pavilion with column in the league: "lotus flowers all around three and a half face willow, tam colchicine well." in here is very appropriate. especially the word "wall" in the league, pavilion buildings is the most open and without the wall between the column, so the line of sight from the shade, bright feel empty, although no wall, but three banks of the river willows thrive, and surrounded by lotus surrounded, not collected around became a green wall of the soft? moving exaggeration and rich imagination, gave the island pavilion even more colorful, slim and graceful. the wind wall motion, and the green waves rolling, fragrance 4 excessive, color, aroma, delicate shape. spring willow light, summer lotus yan, autumn, winter hill is static, dutch wind pavilion is not only the most appropriate summer heat, and is suitable for four seasons. if the wind from a height overlooking the lotus pavilion all around, but saw booth out of the water, cornices rippers andalusite tall and straight, base white jade, is clearly full tanghe holding a shone bright pearl.
see mountains: mountain building surrounded on three sides by water, on both sides of the mountain, from the west by flat roads into the underlying, while upstairs after climbing the mountain corridor or rockery stair. it is a residential buildings, the jiangnan style double-hipped roof tent, rested on the top of the hill, gentle slope, white wall tiles, colour quietly elegant, mingwa upstairs window, the wind of of primitive simplicity. the bottom is called the "lotus root shaughnessy", set the prince on the verandah along the water, when a nap may can view of thought, to admire the lotus, far the picturesque scene is grounds generally unfolds before our eyes. to the upper floor to see mountain, tao yuanming a yue: "picking tori, carefree and see nanshan." high building open, can be in the garden scenery panoramic view. the spring garden new cui, outstanding displays; summer is the wind xu, fragrant lotus fragrance of; autumn poolside rushes the wind chill bleak; pleasant winter house full of warm yang, snow. previously, no tall buildings in suzhou city, telescopic, the building can be out of the outskirts of mountains. legend has it the king of the taiping heavenly kingdom zhong qing xianfeng years building of political office. see mountain building and not dangerous, and smooth, with the surrounding scenery constitute a balanced picture.
yulan hall, yulan hall, is an independent closed quiet courtyard, the master in the humble administrator's garden residential area and the border area of the garden, is the lord met with the guests and handle the daily affairs of the main places, yulan hall tall and spacious yard cabinet and delicate. south wall tall, like paper, rattan grass painting on the wall, under the wall with a flower bed, tianzhu and bamboo grove, the lake stone number peak, yulan and osmanthus flowers, color, aroma and pleasant. yulan hall has a "pen flower hall", and wen zhiming's former residence "pen flower hall" in the same name. this shows that when the lord wang xianchen with wen zhiming between different general close relationship; moreover, "the dream having flowers" is the ancient literati, a pursuit of creative inspiration. reading in the painting, is a great enjoyment in life.
west park is introduced
proper two pavilion: in the new world, on the left there is a rockery. along the rockery stone, there is a hexagonal pavilion is located in the top of the mountain, that is "appropriate two pavilion". it faces yu zhongyuan and west park boundary cloud wall, pavilion base is higher, six sides, buy window pane for plum flower pattern. on appropriate two pavilion, overlooking the central scenery. garden view, from the view of the progressive transformation unfolds, appropriate two pavilions highlighted on the gallery ridge, make whole garden scenery become stretches, form a very profound landscape space, this is a gardening technique on a typical example of "neighbor borrowed". "appropriate" from an interesting story. bai juyi in the tang dynasty and yuan zongjian neighborship, there are tall willows leaned out of the walls in the yard, can enjoy it for two. bai juyi wrote poems to praise way: "good moon night with three diameter, and the green yang yi for two spring", to the analogy between neighborhoods in harmony. that year, the humble administrator's garden in central and western all belong to two, west park owners do not build high-rise buildings, instead, piled mountain pavilion. he can see his envy in the pavilion in the garden scenery, and in the garden owner in the garden can be overlooking pavilions towering appeal, borrow the pavilion into the landscape, landscape, rich far zai! a pavilion should be two, add more add scene, and in this way, a good poem, a much-told story, makes a wonderful pavilion, a scenery.
waveform corridor: garden border in xihuayuan and a water corridor, is rare elsewhere. look from the surface, the water gallery is "l" ring pool layout, divided into two segments, built by the water, the south from the entrance to the new world, to longmont yuanyang pavilion; section in reflection floor, dangling in the water. here is a space, west park in water wall, as the boundary between the two garden cross there, how to plan a scene is a pause. clever artisan borrow wall of corridor, ling water and build, with a unique place of survival is safe technique to break the wall rigidity, depressing situation, the gallery of the overhead, like plank road, according to the water made winding ups and downs, ways, make the landscape space full of elasticity, has the rhythm and rhythm. from south to north, and, after a series of morphological changes, a sudden sharp turn, pull it away from the garden wall, make the highlight on the tank, low water, or air, the gallery roof changes such as pavilion cover, the water in the vertical columns column, two small like diaotai, on the reflection waveform corridor near the floor near the end, one hole is set in the lower part of the tunnel, let corridor cross over, in the garden, west water system are interlinked, the gallery body too high to high. if far water corridor, is like changhong lying wave, splendid.
xihuayuan longmont yuanyang pavilion: is the main part of building, the elegant and luxuriant, called "18 datura flower pavilion", south north called "longmont yuanyang pavilion". a building at the same time, there are two names, this is a form of the mandarin duck hall of ancient building, in order to screen, cover, yarn ge, a hall can be divided into two beams with flat, with round, like a merger of two into the hall, and its role is the southern half like in winter and spring, the northern half like summer, autumn. mandarin duck hall width between the three, appearance is hard to the top of the hill, the plane square, the four corners of corner all have sophisticated wing of the pavilion, also called nuange. the northern half of pick out of the water, shored up by eight pillar pavilion built in the pool. in the middle of the hall of ginkgo wood carving glass screen will hall a separated in two. which (hall) after linqing pool, summer, autumn when pushed lotus of the visible hechi floating window, girlfriend, when the eastern han dynasty general huo guang "chisel (in) the garden pool, five-color water lily, yuanyang thirty six pairs, hope it can is if the beatles kam", the pavilion in its meaning, plaques is clear to manage to originate in suzhou top hongjun inscribed. suzhou out talents since ancient times, the ming and qing dynasties top ranked among the top nationwide, hongjun is one of them. he in folklore became a legendary figure, mostly because he was married to a generation of famous prostitute "golden flower to be his wife. the story of the golden flower was later people write novels, hongjun is that much more famous. south hall is 18 datura flower pavilion, like the winter and spring, remaining hall south xiangyang, yard fence is wind and warm, and make the interior has the right amount of sunlight. datura flower camellia. qing dynasty, zhang lvqian built this pavilion has 18 strains of rare plant camellia, winter flowers wither, camellia is as proud of snow wintersweet purples dou, "tree head thousands of flower of fire, cx to burn the red half a day." showed vigorous vitality, showing a unique beauty, this pavilion plaques is suzhou in late qing dynasty by another top liu runxiang. top and hong top lu hong in the suzhou dialect, homophonic "red, green" lu this red (flood) a green (lu) with two of them for the same city construction write plaques, for the hall. longmont yuanyang pavilion ceiling adopts four volumes of arched shape, bending and beautiful, both on the top of the cover frame, and use the curved roof to reflect a sound, enhance the sound effect, make the lingering sound waves, leaves a has been. master friends dinner, receive a visitor, have a rest here, the environment elegant, paved a square red woollen blanket in the hall, the flute flute, sing sing song. display antique, calligraphy and painting hanging panel, furniture configuration is exact.
reflection: reflection is given priority to with watching the water reflection of attractions. floor is divided into two layers, the downstairs is for "worship" of wen yi shen, refers to the wen zhiming, shen refers to shen chou (ishida), the two are of suzhou, a famous painter, shen chou or wen zhiming's teacher. humble administrator's garden is famous jiangnan, is with the great painter, the poet wen zhiming inseparable. , west park garden advocated more modest to express their admiration of love, yu guangxu 20 years (1894) was built to commemorate the building, his collection of wen zhiming, shen shitian portrait and the wang's humble administrator's garden, rubbings and yusu lu book's stone fill garden, embedded in the two wall around downstairs. banqiao's calligraphy and painting an original middle apron on. on one side of the surface water in the column installed between fully and exquisite window, window contains wooden low hurdles. relies on the bar, but by water view. left accompanying waveform promenade, right "sit with who xuan", especially the reflection of the scenery picturesque, all in the eyes. underwater moon, the cloud pool, wave shadow floating, scenery. upstairs is park owner daughter-in-law wang's study. around the building through planting osmanthus flowers numerous, autumn to admire the remaining of the reward given, cinnamon, such as drinkers' wager game people drunk. reading, copying, or poetry, and viewing joyful painting, all environment but person, dark sweet and lovely.
sit with who hin: a small pavilion very chic, restore folding fan. su dongpo words "sit with who? the moon, the wind, i", so named "sit with who xuan". hin, water and plane shape for the fan, roof, porch door, humanly scaled, stone desk, stone, porch roof, chimney and wall plaques, gooseneck chair, half bar into arc shape, so it is also called the "fan pavilion". hin in both sides of the fan humanly scaled hang du fu's poem league "jiang shanru needs, take willow from selfless." eg fan pavilion is located in the foothills near the water, the geographical position, tree height and the males, stone house stood still, people in the porch, whether it is leaning against the door and looked at, pinglan overlook, or in accordance with the window myopia, small sit and rest, can feel the beauty around. after the fan pavilion heaped-up mountains there is a small pavilion, said dai li pavilion ". "dai li" is a broad rimmed bamboo hat, pavilion as round shape, at the top of the slope is gentle, like a top a broad rimmed bamboo hat, in the flourishing grass tree, slam the door all decoration, simple. mountain kiosk, collocation is symmetrical, lined by passing a landscape, peremptory a dai fisherman fishing, carefree. predecessors had written word shout: "flowers she push a mark green, smoke cloud edges lot latent pavilion. au before dai li eaves domain safety certificate, just for fishing. red chardonnay edge yamadera cain, green wrinkled river in the picture. my official willow tree girder around longling, sat listening to warbler." sit with who hin and dai li ting is two different landscape architecture art, is also relatively rare in the classical gardens of pictographic architecture. pavilion, porch, one integrated mass. dai li has an octagonal two-storey pavilion, lofty style, really is remarkable. lush trees on the mountain, lush, building seems to be floating on a piece of green shade, therefore is called "floating cui pavilion". modelling towering volley, facade ge fan decorated with beautiful pictures. 's cabinet look around, but see clear aqua green mountains, clear sky, garden green, a vibrant, relaxed and happy making a person, do not think to return. fan pavilion, pavilion, the floating pavilion, the geographical position is in turn by the water, mountains, mountain, they come in all shapes and sizes, from low to high, step by step, like the scales of duo, for, microphones, coherent whole, make people intoxicated in this beautiful melody.
leave room cabinet: for single cabinet, tiny, round window, cabinet front platform, the most worthy of a look in the cabinet is the qing dynasty ginkgo wood three-dimensional carved pine, bamboo and plum, magpie fly cover, embossing, engraved look, round, the combination of the art of using saber skilled, skilled and clever, the age of "poetic" and "magpie on mei" soft together two kinds of design, juncture place a trace, like nature itself, is the garden cover rare high-quality goods. looked from the overall appearance, leave to pavilion is an abstraction of ship hall, hall, a former platform such as the bow. on the left side of the pond full of lotus, lotus laid during the growth, bud, flower, fruit is appearance state, ornamental period of expertise, from late spring pool surface emitted a little green canopy with pool money to summer, until the autumn thick leaves and flowers, each stage has its unique beauty. as the saying goes, no one hundred days red, beautiful flowers and eventually make dust "completion" zero mud ground, flowers and dry bleak outlook for difficult to see, only the autumn withered lotus pond but don't have a kind of incomplete beauty artistic conception, li shangyin has "left to the remaining listen to the rain" sentence, listen to cabinet is take the poetic and name. the flower faded, people already old, king of judah in, love unforgettable, touch the person state of mind, people who does. 44 back to a dream of red mansions, jia baoyu and lin daiyu in gusu niang supports dynamic role of wood in the water with the touring, dai jade see full lotus pool, said i don't like most li yishan poem, just like his "keep the remaining listen to the rain..." lin daiyu is a girl of great culture, sensitive, clever, but aloof and arrogant, don't want to go with the flow, so would the expression of li shangyin this cold quiet quiet beauty of poem. this is the description in the literary works, but she appreciates such a poetic realm xihuayuan also appear in the humble administrator's garden. the sounds of nature of nature, played in the chinese garden or grand or joy or delight in the beauty of music.
shadow pavilion: the pavilion from the top to the end and all round the pane are are octagon pattern, is one of the most beautiful buildings in the garden. listen to it on the cabinet slipway, turn head tower shadow pavilion, feel wonderful to send. narrow vertical drainage leading up to the level, have a certain distance, the depth of water bay is enhanced, the pavilion was fixed into the water, like a pagoda, dignified and pleasurable. true pavilion false, false or true is linked together, can yet be regarded as a unique landscape in the west garden. in the humble administrator's garden, there are two landscape related to pagoda. one is in lean on rainbow pavilion to see far outside the garden of north temple tower, one is this shadow pavilion by water. see in the garden in the pagoda is the entity, and see in xihuayuan pagoda is incorporeal. whether false or true lookout tower tower house that let a person produce rich lenovo, leave deep impression. shadow pavilion's position is not prominent, has reached the end of the garden. smart master in water will far built a small pavilion, if compared the entire west park to the beautiful music melody, so their shadow pavilion is the final quarter note. screeching halt music let a person feel abrupt, and here are the shadow pavilion is form the complete movement. even better, not only have a booth, but, as the song heritage sound aftertaste, aftertaste letting a person.
in the humble administrator's garden for a walk, the feeling is good, scenery is very beautiful, no matter which angle is a picture.
各位游客朋友们：
大家早上好，很高兴和大家相约美丽的苏州园林，我是此次苏州园林之旅的导游，我姓窦，大家叫我小窦好了。我身边的这位师傅姓陈，是此行的司机，在接下来的旅途中就由我和陈师傅为大家提供服务。在整个游览过程中，各位有什么问题，请随时提出，我将尽力为各位解答。祝愿大家都能不虚此行，玩得尽兴。 今天我们要游览的是苏州园林中最大的名园“拙政园”。它与北京颐和园、承德避暑山庄、苏州留园合称为中国“四大名园”，被誉为“天下园林之母”。
明武宗正德四年，御史王献臣因官场失意而还乡，以大弘寺址拓建为园，借西晋潘岳《闲居赋》“拙者之为政”句意，自我解嘲，取名为“拙政园”。王献臣死后，他的儿子以拙政园为赌注，一夜之间输掉了。自此拙政园400余年来，屡易其主，历经沧桑，几度兴衰。
拙政园与苏州其他古典园林一样，是典型的宅园合一。拙政园的花园分东园、中园、西园三部分，园林设计以水池为中心，亭榭楼阁临水而立，倒映水中，相互映衬。
各位游客：现在从园门进去便是东花园。
首先映入眼帘的是东花园的主厅“兰雪堂”。“兰雪”二字出自李白“春风洒兰雪”之句，有清香高洁、超凡脱俗之意。厅堂面宽三间，中间屏门上有一幅漆雕画，是拙政园的全景图。从图上看，拙政园氛围三个部分：东部，曾取名为“归园田居”，以田园风光为主;中部，称为“复园”，以池岛假山取胜，也是拙政园的精华所在;西部，称为“补园”，以清代建筑为主。
走出兰雪堂，迎面有一组太湖石假山。这块名为“缀云峰”的假山高耸在绿树竹荫中，与西侧凉快形状怪异的石峰并立，叫做“联壁”。水池边山峰外形似船，俗名“翻转划龙船”。
兰雪堂的东北面，临水而筑的这座建筑，就是“芙蓉榭”。此榭为东花园夏日赏荷的绝佳之处。面对荷花池，背倚高墙，一边开阔，一边封闭，给人一种宁静的气氛。加拿大温哥华“逸园”中的水榭，就是参照此榭设计的。
芙蓉榭以北是一片紫薇草坪，中间耸立的那座重檐八角亭，名为“天泉阁”。阁中有“天泉井”，相传此井为元代大弘寺东斋的遗迹。夏日可在此阁欣赏紫薇花。欣赏苏州园林里的建筑物，高的楼阁要仰视。如果您站在“天泉阁”的戗角下，凝视飘动的浮云，您似乎感到楼阁正在蓝天中翱翔。这就是苏州园林建筑物上大都建有戗角的奥秘。这些戗角，除了有利于采光和通风外，主要是增加了动感和美感，成了苏州建筑的地方特色之一。
好了，游客朋友们，我们现在看到的这个亭子是“放眼亭”，取唐代白居易“放眼看青山”诗意，亦曾叫“补拙亭”。在亭中居高临下放眼四望，东园景色尽收眼底。
东中花园以这条复廊分隔，复廊的墙壁上开有25个漏窗，不同的团被水中波纹反射叠印，随着步移花窗的变换，园内景色也不断地变化。
穿过复廊的黑漆大门，便到了中部花园。
中园是拙政园的主体部分和精华所在。总体布局以水池为中心，分布着高低错落的建筑物，具有江南水乡特色。现在各位请看池岛假山，池岸曲折，水绕山转。从东面看，一山高过一山;从南面看，一山连接一山;从西面看，一山压倒众山，具有中国山水画的传统构图特色，也体现了“横看成岭侧成峰，远近高低各不同”的意境。
各位游客 ：现在我们位于的是苏州古城东北面最大的名园“拙政园”。它与北京颐和园、承德避暑山庄、苏州留园合称为中国“四大名园”，被誉为“天下园林之母”。有人说，拙政园酷似我国古代文学巨著《红楼梦》中所描述的大观园，这话究竟有没有道理?还是请大家跟我走进拙政园，去探寻一下大观园的影子吧!
现在我们看到高高的砖砌墙门的正上方，有砖雕贴金的门额“拙政园”三个字。拙政园始建于明代正德四年(1520xx年)。明代御史王献臣因官场失意而还乡，以大弘寺址拓建为园，借西晋潘岳《闲居赋》“拙者之为政”句意，自我解嘲，取名为“拙政园”。王献臣死后，他的儿子以拙政园为赌注，一夜之间输掉了。自此拙政园400余年来，屡易其主，历经沧桑，几度兴衰。
拙政园与苏州其他古典园林一样，是典型的宅园合一，有宅有园，前宅有园的格局。拙政园的花园分东园、中园、西园三部分，整个造园以山水并重，以水池为中心，水面占全园的五分之三，亭榭楼阁皆临水而立，倒映水中，相互映衬。
各位游客：现在从园门进去便是东花园。入园后，首先映入眼帘的是东花园的主厅“兰雪堂”。“兰雪”二字出自李白“春风洒兰雪”之句，有清香高洁、超凡脱俗之意。厅堂面宽三间，中间屏门上有一幅漆雕画，是拙政园的全景图。从图上看，拙政园氛围三个部分：东部，曾取名为“归园田居”，以田园风光为主;中部，称为“复园”，以池岛假山取胜，也是拙政园的精华所在;西部，称为“补园”，以清代建筑为主。整个院子没有明显的中轴线，也不对称，但错落有致，疏密得体，近乎自然，是苏州园林中布局最为精巧的一座。
走出兰雪堂，迎面有一组太湖石假山。这块名为“缀云峰”的假山高耸在绿树竹荫中，与西侧凉快形状怪异的石峰并立，叫做“联壁”。水池边山峰外形似船，俗名“翻转划龙船”。走到这里，似乎有似曾相识的感觉，大家可能都会联想到《红楼梦》中大观园进门处的假山，同这座假山极为相似。
兰雪堂的东北面，临水而筑的这座卷棚歇山顶的建筑，就是“芙蓉榭”。此榭为东花园夏日赏荷的绝佳之处。面对荷花池，背倚高墙，一边开阔，一边封闭，给人一种宁静的气氛。加拿大温哥华“逸园”中的水榭，就是参照此榭设计的。
芙蓉榭以北是一片紫薇草坪，中间耸立的那座重檐攒尖八角亭，名为“天泉阁”。阁中有“天泉井”，相传此井为元代大弘寺东斋的遗迹。夏日可在此阁欣赏紫薇花。这座建筑物，从外面看似乎是两层，在里面看却只有一层。欣赏苏州园林里的建筑物，高的楼阁要仰视。如果您站在“天泉阁”的戗角下，凝视飘动的浮云，您似乎感到楼阁正在蓝天中翱翔。这就是苏州园林建筑物上大都建有戗角的奥秘。这些戗角，除了有利于采光和通风外，主要是增加了动感和美感，成了苏州建筑的地方特色之一。
那座外观轻快明朗，体量较大的四面厅，称“秫香馆”。顾名思义，就是欣赏稻麦飘香的地方。“楼可四观，每当夏秋之交，家田种秫，皆在观望中。”现在所见到的“秫香馆”，其主体建筑是60年代重修拙政园时从东山搬迁过来的，体量偏大，与原景略有不同。
秫香馆西南，隔溪有一土山，上有长方亭，名“放眼亭”，取唐代白居易“放眼看青山”诗意，亦曾叫“补拙亭”。在亭中居高临下放眼四望，东园景色尽收眼底。
东中花园以这条复廊分隔，复廊的墙壁上开有25个漏窗，不同的团被水中波纹反射叠印，随着步移花窗的变换，园内景色也不断地变化。穿过复廊的黑漆大门，便到了中部花园。看这座半亭倚墙而作，亭中有一圆拱门，三面凌空，长廊似虹，故名“倚虹亭”。站在倚虹亭旁，向西眺望，极远处又有一亭，亭内也有一圆拱门，这就是西花园的“别有洞天”园门。而在亭台楼阁旁，小桥流水之上，古树花木之间，屹立着一座宝塔，那就是园外远处的北寺塔，给人以一种“庭院深深深几许”的感觉。这一借景的手法，运用得很成功，园主确实费尽了心机。因为中部花园东西长，南北窄，有一种压抑感，浴室园主利用低洼的地势凿池叠山。用假山遮住两边的围墙，而池面上留出了大量的空间，使人感到开阔而深远。中部花园里的建筑物，大小不同，形状各异，高低错落，疏密有致。
中园是拙政园的主体部分和精华所在。总体布局以水池为中心，分布着高低错落的建筑物，具有江南水乡特色。现在各位请看池岛假山，池岸曲折，水绕山转。假山上的“悟竹幽居”，山顶的“待霜亭”和“雪香云蔚亭”点缀其上。从东面看，一山高过一山;从南面看，一山连接一山;从西面看，一山压倒众山，具有中国山水画的传统构图特色，也体现了“横看成岭侧成峰，远近高低各不同”的意境。
各位游客 ：现在我们位于的是苏州古城东北面最大的名园“拙政园”。它与北京颐和园、承德避暑山庄、苏州留园合称为中国“四大名园”，被誉为“天下园林之母”。有人说，拙政园酷似我国古代文学巨著《红楼梦》中所描述的大观园，这话究竟有没有道理?还是请大家跟我走进拙政园，去探寻一下大观园的影子吧!
现在我们看到高高的砖砌墙门的正上方，有砖雕贴金的门额“拙政园”三个字。拙政园始建于明代正德四年(1520xx年)。明代御史王献臣因官场失意而还乡，以大弘寺址拓建为园，借西晋潘岳《闲居赋》“拙者之为政”句意，自我解嘲，取名为“拙政园”。王献臣死后，他的儿子以拙政园为赌注，一夜之间输掉了。自此拙政园400余年来，屡易其主，历经沧桑，几度兴衰。
拙政园与苏州其他古典园林一样，是典型的宅园合一，有宅有园，前宅有园的格局。拙政园的花园分东园、中园、西园三部分，整个造园以山水并重，以水池为中心，水面占全园的五分之三，亭榭楼阁皆临水而立，倒映水中，相互映衬。
各位游客：现在从园门进去便是东花园。入园后，首先映入眼帘的是东花园的主厅“兰雪堂”。“兰雪”二字出自李白“春风洒兰雪”之句，有清香高洁、超凡脱俗之意。厅堂面宽三间，中间屏门上有一幅漆雕画，是拙政园的全景图。从图上看，拙政园氛围三个部分：东部，曾取名为“归园田居”，以田园风光为主;中部，称为“复园”，以池岛假山取胜，也是拙政园的精华所在;西部，称为“补园”，以清代建筑为主。整个院子没有明显的中轴线，也不对称，但错落有致，疏密得体，近乎自然，是苏州园林中布局最为精巧的一座。
走出兰雪堂，迎面有一组太湖石假山。这块名为“缀云峰”的假山高耸在绿树竹荫中，与西侧凉快形状怪异的石峰并立，叫做“联壁”。水池边山峰外形似船，俗名“翻转划龙船”。走到这里，似乎有似曾相识的感觉，大家可能都会联想到《红楼梦》中大观园进门处的假山，同这座假山极为相似。
兰雪堂的东北面，临水而筑的这座卷棚歇山顶的建筑，就是“芙蓉榭”。此榭为东花园夏日赏荷的绝佳之处。面对荷花池，背倚高墙，一边开阔，一边封闭，给人一种宁静的气氛。加拿大温哥华“逸园”中的水榭，就是参照此榭设计的。
芙蓉榭以北是一片紫薇草坪，中间耸立的那座重檐攒尖八角亭，名为“天泉阁”。阁中有“天泉井”，相传此井为元代大弘寺东斋的遗迹。夏日可在此阁欣赏紫薇花。这座建筑物，从外面看似乎是两层，在里面看却只有一层。欣赏苏州园林里的建筑物，高的楼阁要仰视。如果您站在“天泉阁”的戗角下，凝视飘动的浮云，您似乎感到楼阁正在蓝天中翱翔。这就是苏州园林建筑物上大都建有戗角的奥秘。这些戗角，除了有利于采光和通风外，主要是增加了动感和美感，成了苏州建筑的地方特色之一。
那座外观轻快明朗，体量较大的四面厅，称“秫香馆”。顾名思义，就是欣赏稻麦飘香的地方。“楼可四观，每当夏秋之交，家田种秫，皆在观望中。”现在所见到的“秫香馆”，其主体建筑是60年代重修拙政园时从东山搬迁过来的，体量偏大，与原景略有不同。
秫香馆西南，隔溪有一土山，上有长方亭，名“放眼亭”，取唐代白居易“放眼看青山”诗意，亦曾叫“补拙亭”。在亭中居高临下放眼四望，东园景色尽收眼底。
东中花园以这条复廊分隔，复廊的墙壁上开有25个漏窗，不同的团被水中波纹反射叠印，随着步移花窗的变换，园内景色也不断地变化。穿过复廊的黑漆大门，便到了中部花园。看这座半亭倚墙而作，亭中有一圆拱门，三面凌空，长廊似虹，故名“倚虹亭”。站在倚虹亭旁，向西眺望，极远处又有一亭，亭内也有一圆拱门，这就是西花园的“别有洞天”园门。而在亭台楼阁旁，小桥流水之上，古树花木之间，屹立着一座宝塔，那就是园外远处的北寺塔，给人以一种“庭院深深深几许”的感觉。这一借景的手法，运用得很成功，园主确实费尽了心机。因为中部花园东西长，南北窄，有一种压抑感，浴室园主利用低洼的地势凿池叠山。用假山遮住两边的围墙，而池面上留出了大量的空间，使人感到开阔而深远。中部花园里的建筑物，大小不同，形状各异，高低错落，疏密有致。
中园是拙政园的主体部分和精华所在。总体布局以水池为中心，分布着高低错落的建筑物，具有江南水乡特色。现在各位请看池岛假山，池岸曲折，水绕山转。假山上的“悟竹幽居”，山顶的“待霜亭”和“雪香云蔚亭”点缀其上。从东面看，一山高过一山;从南面看，一山连接一山;从西面看，一山压倒众山，具有中国山水画的传统构图特色，也体现了“横看成岭侧成峰，远近高低各不同”的意境。
下面我们先来观赏“悟竹幽居”。此亭俗称“月到风来亭”。与众不同的它是一个方亭，4个大大的圆洞门使人马上会联想到八月十五的月亮。人站在其中向外看，犹如四个巨大的镜框镶嵌着苏州园林一年四季的风光：北面青竹石笋，西面嫩荷吐尖，南面梧桐秋雨，东面梅花怒放。亭内有文征明的书额和对联：“爽借清风明借月，动观流水静观山。”慢慢品味，似乎有皓月当空、清风徐徐和远望群山、近看流水的那种赏心悦目的感受。
跨过九曲石板桥，沿着弯弯曲曲的山间小路缓步登山，这座轻巧若飞的亭子就是“待霜亭”。“待霜”取义于唐代诗人曾任苏州刺史的韦应物的诗：“书后欲提三百颗，洞庭须待满林霜。”字里行间透出了一股霜浓橘红的山野气息和泥土芳香。
穿过丛林，越过小溪，步上石阶，就到了“雪香云蔚亭”。它位于岛的中央制高点。居高临下，与远香堂遥遥相对，站在亭内，园中各处亭台楼阁一览无余。停住上有文征明手书的对联，上方还有明代画家倪云露的“山花野鸟之间”题额。
各位游客：现在我们来到中部花园的中心池边，这里四面环水，三面植柳，围绕水面，有荷风四面亭、香洲、见山楼、倚玉轩、小飞虹、小沧浪和远香堂等景点。
湖中岛上的“荷风四面亭”上有一幅很有趣的楹联，不仅描绘了此处的景色特点，还巧妙地点出了四季景：“四壁荷花三面柳，半潭秋水一房山。”楹联上联仿济南大明湖“小沧浪”清代书法家铁保所书的楹联：“四面荷花三面柳，一城山色半城湖”。下联则仿照唐代诗人李洞的“看待诗人无别物，半潭秋水一房山”。
与“荷风四面亭”隔山相望的是“香洲”。“香洲”的“洲”同“舟”同音，实际上是一座船型建筑物，可称为石坊或旱船，似乎是一只官船在荷花丛里徐徐而行。而这艘石坊由亭、台、楼、阁、榭五种典型建筑组合而成：船头为荷花台，茶室为四方亭，船舱为面水榭，船楼为澄观楼，船尾为野航阁。苏州是典型的江南水乡，古代大都以舟代步，家家临河，处处通船，所以在园林中也建有石坊。同时石坊也可以经常提醒人们“水可载舟，亦可覆舟”的道理，借此表白园主“处江湖之远，则忧其君”的心迹。
经过九曲石桥，沿着游廊走，就见到“见山楼”，古代叫做“藕香榭”。见山楼语出陶渊明“采菊东篱下，悠然见南山”名句。它三面环水，似苍龙嬉水，楼是龙头，水廊是龙身，云墙是龙尾，门洞是龙嘴，曲桥是龙须。相传此楼曾被用作太平天国忠王李秀成的办公之处。登楼远眺，可见苏州西南的灵岩山。这里视野开阔，为北部的主景区，与南部次景区小沧浪、小飞虹和得真亭的空间窄小的布局形成对照。
从“见山楼”沿着游廊往南走，可以来到“小沧浪”。“小沧浪”的出典是《楚辞.渔夫》，原话是“沧浪之水清兮，可以濯我缨;沧浪之水浊兮，可以濯我足”。用现代的语言来解释，就是倘若朝廷清明，我就洗洗帽缨，准备出仕辅助朝纲;倘若朝廷昏庸，我就洗洗双脚，决心引退逍遥自在。“小沧浪”是一座三开间的水阁，南窗北槛，两面临水，跨水而居，构成一个闲静的水院。站在“小沧浪”前往北看，廊桥“小飞虹”倒映在水里，水波荡漾，犹如彩虹。这里是观赏水景的最佳去处。只见藕香榭前各路水源汇聚一池，似乎“浩浩荡荡，横无际涯”，到了香洲前，突然分流四去，其中一条支流弯弯曲曲，扑面而来，经过“小飞虹”，过“小沧浪”，有种余味未尽的感觉。
从小沧浪往东走，就来到了“远香堂”。远香堂位于中部花园的中心位置，回抱于山池之间，后面宽阔的平台连接荷花池。夏日荷花盛开时，荷风扑面，清香远送，所以称为“远香堂”。远香堂建筑形体高大，而且厅内没有一根阻碍行动和视线的庭柱，四面都镶有玻璃，可以坐在厅里品茶、聊天、看景。厅的南边是一座峻峭的黄石假山，北边是池岛假山，东边山坡上有“绣绮亭”，西边池塘边有“倚玉轩”，给人以近山远水，山高水低的感觉。“远香堂”匾额原为乾隆年间著名学者沈德潜手笔，现为近代书法家张辛稼补书。两边有一副对联，共80字，是苏州诸多园林中最长的对联，记载了当年八旗奉直会馆达官贵人聚会时的盛况。苏州古典园林建筑物，十分重视意境的设计，用大量的匾额楹联书法作点缀，既记述了名园的历史，又点明了景点的精华，还书法了园主的情怀。
远香堂的东南角圆洞门中，深藏着一组各具特色的小建筑，闲庭别院，这里被称为拙政园中的“园中园”，因种有枇杷而得名“枇杷园”。各位游客走到这里，见到前面一道云墙，两面种有牡丹，正当“山穷水尽疑无路”时，再往前走就发现黄石堆砌的假山遮住了旁边的一个门洞。当我们步步走近时，门洞渐渐扩大，你会发现门洞像一轮明月，镶嵌在白色的云墙上。穿过门洞后，这轮明月又被这边的黄石假山慢慢地遮住了。从月洞门外向南看，嘉实亭掩映于枇杷丛中;入洞门回首北望，掩映于烟波林木中的雪香云蔚亭与月洞门、嘉实亭同在一条视线内，收到了隐蔽对景的效果，由此可见，苏州古典园林在辟门开窗时，除考虑到出入和采光外，力求处处有景，景随步移。
枇杷园以庭院建筑为主，有玲珑馆、嘉实亭、听雨轩和海棠春坞等。这些建筑把空间分为3个小院，而小院既隔又连，相叠穿插，空间和景物处理上富有变化。每个庭院的天井，用肉眼看大小一般，但用脚步量一下却发现相差甚大。原来“玲珑馆”前的云墙造得较矮，视野开阔就显得大。而“海棠春坞”尺寸比较小，但开了几个漏窗，使天井显得比较宽敞。“听雨轩”前的天井面积比较大，就开了一个小池塘，使天井大小适宜，园景丰富。当年园主喜欢同家眷在这里，一边品尝苏州的船点，一边细听那余地打在瓦楞片上、芭蕉叶上、碎石地上，发出各种声音，陶醉在大自然的音乐创作之中。“嘉实亭”里有一幅对联“春秋多佳日;山水有清音”，用在这里，惟妙惟肖。
从中花园穿过“别有洞天”的圆洞门后，就来到了西花园。西花园的主体建筑 “卅六鸳鸯馆”和“十八曼陀罗花馆”是鸳鸯厅结构。外面看是一个屋顶，里面是四个屋面;外面看是一个大厅，里边分为两个客厅，北面客厅是夏天纳凉用的，南面客厅是冬天取暖用的。进门时，圆洞门上方的“得少佳趣”篆体砖雕把我们引入佳境。北厅“卅六鸳鸯馆”馆名为清代状元洪钧所书，南厅的“十八曼陀罗花馆”馆名出自清代状元陆润庠的手笔。鸳鸯是美满姻缘的代名词，曼陀罗花是延年益寿的吉祥物。曼陀罗花即是山茶花的别名，园主在小院中种了各种山茶花18种，故取名“十八曼陀罗花馆”。这个大厅造型别致，椽子为弓形和弧形，四角有耳房，相传是园主听昆曲的地方。这里四面窗格上都嵌有菱形蓝白相间的玻璃，构成美丽的图案，每当剩下烈日时，阳光透过窗户变成一道道蓝白相间的光束，洒在地上泛起阵阵凉意。如果游客们有兴趣的话，可以靠近蓝色玻璃窗往外看，只见屋顶上、树枝上、石块上、荷叶上，都像是洒上了一层白雪。
西北面的“留听阁”，取唐代诗人李商隐诗“秋阴不散霜飞晚，留得枯荷听雨声”之意命名。南面飞罩是银杏木立体雕刻松、竹、海、雀的花纹，构图匀称，手法精巧。楠木镂雕的云龙图案落地罩和隔扇裙板上的蟠龙图案，相传是太平天国忠王府内的遗物。
在“卅六鸳鸯馆”北面池塘里可以清楚地看到一幢楼阁的倒影，这幢楼阁便是“倒影楼”。楼阁下层“拜文揖沈之斋”，就是“文征明先生和沈周先生纪念馆”。沈周是文征明的老师，后人将沈周、文征明、唐寅、仇英四位画家合称“明四家”。到影楼中间屏门上雕刻着扬州八怪之一的郑板桥的无根竹图，并配有诗词。
隔岸池边有一座小轩，像一把打开的折扇，俗称扇亭，取名“与谁同坐轩”，取义于苏东坡的词句：与谁同坐?明月清风我。扇面状屋面和扇亭与后山屋面恰似扇把的“笠亭”构成了一把完整的折扇。
各位游客：拙政园的主要景观就游赏到此。让我们在以拙政园为代表的苏州园林，在“咫尺山林”再现大自然的湖光山色中，在那富有诗情画意的、可望、可行、可游、可居的小园林里，享受一份温馨的家庭气氛吧。
